HYDERABADI

yeh mere doston ke liye

KYA KARATI KI KYA KI

Hatha me hath milake

Hatha me hath milake

anguthi churake chali gayi

abhi gale milne ko aari

kya karati ki kya ki……

chai pine ko aake

chai pine ko aake

saucer churake chali gayi

abhi full meals ko aari

kya karati ki kya ki……..

pehleich mulakat me

pehlelich mulakat me

five star me chuna lagai

abhi date pe leke jao bolri

kya karati ki kya ki……….

sagai sagai bolke

sagai saagai bolke

puri shopping karali

abhi shadi shadi bolri

kya karati ki kya ki…

HYDERABADI LINGO

“nakko”
“hao”
“kaiku”
“maire ku kya maloom”
“haula”

“Khaali pili tum logan time kaiku waste kar rahe … lite lo mama…
“baigan ki tumhari…. Kya houla ho gaya kya?? Kaiku dum karra ? panchkad khayega phukat main “
“kya to bhi hai ye… maakikirkiri
“lite le mamu “

aiseich baat karte na aap.tho aap hyderabadi ho.mere north indian dost mere hyderabadi accent sunke haste.baigan patha un logon ko.kitta mast rehta hyderabadi.kya bolte

hyderabadi rocks

this is the language of general crowd in hyderabad. I am sure most of you must be finding it difficult to understand but if you stay in Hyderabad then you should atleast give it a try.

“Bhai logan try karne main kya jaara”.

hyderabadi rocks

Wat's So Special Abt Monalisa

Leonardo used a pyramid design to place the woman simply and calmly in the space of the painting. Her folded hands form the front corner of the pyramid. Her breast, neck and face glow in the same light that models her hands. The light gives the variety of living surfaces an underlying geometry of spheres and circles. Leonardo referred to a seemingly simple formula for seated female figure: the images of seated Madonna, which were widespread at the time. He effectively modified this formula in order to create the visual impression of distance between the sitter and the observer. The armrest of the chair functions as a dividing element between Mona Lisa and the viewer.
The woman sits markedly upright with her arms folded, which is also a sign of her reserved posture. Only her gaze is fixed on the observer and seems to welcome them to this silent communication. Since the brightly lit face is practically framed with various much darker elements (hair, veil, shadows), the observer's attraction to Mona Lisa's face is brought to even greater extent. Thus, the composition of the figure evokes an ambiguous effect: we are attracted to this mysterious woman but have to stay at a distance as if she were a divine creature.[citation needed] There is no indication of an intimate dialogue between the woman and the observer as is the case in the Portrait of Baldassare Castiglione (Louvre) painted by Raphael about ten years after Mona Lisa, and undoubtedly influenced by Leonardo's portrait.

Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.
The painting was among the first portraits to depict the sitter before an imaginary landscape. The enigmatic woman is portrayed seated in what appears to be an open loggia with dark pillar bases on either side. Behind her a vast landscape recedes to icy mountains. Winding paths and a distant bridge give only the slightest indications of human presence. The sensuous curves of the woman's hair and clothing, created through sfumato, are echoed in the undulating imaginary valleys and rivers behind her. The blurred outlines, graceful figure, dramatic contrasts of light and dark, and overall feeling of calm are characteristic of Leonardo's style. Due to the expressive synthesis that Leonardo achieved between sitter and landscape it is arguable whether Mona Lisa should be considered as a traditional portrait, for it represents an ideal rather than a real woman. The sense of overall harmony achieved in the painting—especially apparent in the sitter's faint smile—reflects Leonardo's idea of a link connecting humanity and nature.
Mona Lisa has no visible facial hair—including eyebrows and eyelashes. Some researchers claim that it was common at this time for genteel women to pluck them out, since they were considered to be unsightly. For modern viewers the missing eyebrows add to the slightly semi-abstract quality of the face.

mah pleasure buddies.u dnt nd to thank me for ths.

Jai