My inspiration

"All my life, I had the choice of hate and love. I chose love, and I am here" - A.R.Rahman, accepting the Oscar for Best Song at the 81st Academy Awards on Feb 22nd, 2009.

"Rahman doesn't even write what's thought of as world music. He writes a world of music — so broad and deep, so instantly likable and lastingly satisfying, it is the whole world."
- Richard Corliss, TIME Magazine.

He needs no introduction. Ever since he arrived with Roja he has revolutionised music. he inspires me daily. every one shud learn something or the othr frm ths grt man. Simple living high thinking. frns if u feel da sam. do commnt

100 MOVIES to see b4 u die

Yahoo has released a list of the 100 Movies To See Before You Die

Lets chck out how many mvies i hav watchd frm da list. By the way Im a movie buff


12 Angry Men (1957)
2001: A Space Odyssey (1968)
The 400 Blows (1959)
8 ½ (1963)
A Hard Day’s Night (1964)
The African Queen (1952)
Alien (1979)
All About Eve (1950)
Annie Hall (1977)
Apocalypse Now (1979)
The Battle of Algiers (1967)
The Bicycle Thief (1948)
Blade Runner (1982)
Blazing Saddles (1974)
Blow Up (1966)
Blue Velvet (1986)
Bonnie and Clyde (1967)
Breathless (1960)
The Bridge on the River Kwai (1957)
Bringing Up Baby (1938)
Butch Cassidy and the Sundance Kid (1969)
Casablanca (1942)
Chinatown (1974)
Citizen Kane (1941)
Crouching Tiger, Hidden Dragon (2000) Done
Die Hard (1988)
Do the Right Thing (1989)
Double Indemnity (1944)
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
Duck Soup (1933)
E.T. the Extra-Terrestrial (1982) Done
Enter the Dragon (1973) Done
The Exorcist (1973) Done
Fast Times At Ridgemont High (1982)
The French Connection (1971)
The Godfather (1972) Done
The Godfather, Part II (1974) Done
Goldfinger (1964)
The Good, the Bad, and the Ugly (1968) Done
Goodfellas (1990)
The Graduate (1967)
Grand Illusion (1938)
Groundhog Day (1993)
In the Mood For Love (2001)
It Happened One Night (1934)
It’s a Wonderful Life (1946)
Jaws (1975) Done
King Kong (1933) Done
The Lady Eve (1941)
Lawrence of Arabia (1962)
The Lord of the Rings (2001,2002,2003) Done
M (1931)
M*A*S*H (1970)
The Maltese Falcon (1941)
The Matrix (1999) Done
Modern Times (1936)
Monty Python and the Holy Grail (1975)
National Lampoon’s Animal House (1978)
Network (1976)
Nosferatu (1922)
On the Waterfront (1954)
One Flew Over the Cuckoo’s Nest (1975)
Paths of Glory (1958)
Princess Mononoke (1999)
Psycho (1960)
Pulp Fiction (1994) Done
Raging Bull (1980)
Raiders of the Lost Ark (1981)
Raise the Red Lantern (1992)
Rashomon (1951)
Rear Window (1954)
Rebel Without a Cause (1955)
Rocky (1976) Done
Roman Holiday (1953)
Saving Private Ryan (1998)
Schindler’s List (1993)
The Searchers (1956)
Seven Samurai (1954)
The Shawshank Redemption (1994)
The Silence of the Lambs (1991) Done
Singin’ in the Rain (1952)
Snow White and the Seven Dwarfs (1937)
Some Like It Hot (1959)
The Sound of Music (1965)
Star Wars (1977) Done
Sunset Blvd. (1950)
Terminator 2: Judgment Day (1991) Done
The Third Man (1949)
This is Spinal Tap (1984)
Titanic (1997) Done
To Kill a Mockingbird (1962)
Toy Story (1995)
The Usual Suspects (1995) Done
Vertigo (1958)
When Harry Met Sally… (1989)
Wild Strawberries (1957)
Wings of Desire (1988)
The Wizard of Oz (1939)
Women on the Verge of a Nervous Breakdown (1988)
The World of Apu (1959)

come on couch potatoes. we hav a task ahead. lets hav som fun :)

HYDERABADI

yeh mere doston ke liye

KYA KARATI KI KYA KI

Hatha me hath milake

Hatha me hath milake

anguthi churake chali gayi

abhi gale milne ko aari

kya karati ki kya ki……

chai pine ko aake

chai pine ko aake

saucer churake chali gayi

abhi full meals ko aari

kya karati ki kya ki……..

pehleich mulakat me

pehlelich mulakat me

five star me chuna lagai

abhi date pe leke jao bolri

kya karati ki kya ki……….

sagai sagai bolke

sagai saagai bolke

puri shopping karali

abhi shadi shadi bolri

kya karati ki kya ki…

HYDERABADI LINGO

“nakko”
“hao”
“kaiku”
“maire ku kya maloom”
“haula”

“Khaali pili tum logan time kaiku waste kar rahe … lite lo mama…
“baigan ki tumhari…. Kya houla ho gaya kya?? Kaiku dum karra ? panchkad khayega phukat main “
“kya to bhi hai ye… maakikirkiri
“lite le mamu “

aiseich baat karte na aap.tho aap hyderabadi ho.mere north indian dost mere hyderabadi accent sunke haste.baigan patha un logon ko.kitta mast rehta hyderabadi.kya bolte

hyderabadi rocks

this is the language of general crowd in hyderabad. I am sure most of you must be finding it difficult to understand but if you stay in Hyderabad then you should atleast give it a try.

“Bhai logan try karne main kya jaara”.

hyderabadi rocks

Wat's So Special Abt Monalisa

Leonardo used a pyramid design to place the woman simply and calmly in the space of the painting. Her folded hands form the front corner of the pyramid. Her breast, neck and face glow in the same light that models her hands. The light gives the variety of living surfaces an underlying geometry of spheres and circles. Leonardo referred to a seemingly simple formula for seated female figure: the images of seated Madonna, which were widespread at the time. He effectively modified this formula in order to create the visual impression of distance between the sitter and the observer. The armrest of the chair functions as a dividing element between Mona Lisa and the viewer.
The woman sits markedly upright with her arms folded, which is also a sign of her reserved posture. Only her gaze is fixed on the observer and seems to welcome them to this silent communication. Since the brightly lit face is practically framed with various much darker elements (hair, veil, shadows), the observer's attraction to Mona Lisa's face is brought to even greater extent. Thus, the composition of the figure evokes an ambiguous effect: we are attracted to this mysterious woman but have to stay at a distance as if she were a divine creature.[citation needed] There is no indication of an intimate dialogue between the woman and the observer as is the case in the Portrait of Baldassare Castiglione (Louvre) painted by Raphael about ten years after Mona Lisa, and undoubtedly influenced by Leonardo's portrait.

Detail of Lisa's hands, her right hand resting on her left. Leonardo chose this gesture rather than a wedding ring to depict Lisa as a virtuous woman and faithful wife.
The painting was among the first portraits to depict the sitter before an imaginary landscape. The enigmatic woman is portrayed seated in what appears to be an open loggia with dark pillar bases on either side. Behind her a vast landscape recedes to icy mountains. Winding paths and a distant bridge give only the slightest indications of human presence. The sensuous curves of the woman's hair and clothing, created through sfumato, are echoed in the undulating imaginary valleys and rivers behind her. The blurred outlines, graceful figure, dramatic contrasts of light and dark, and overall feeling of calm are characteristic of Leonardo's style. Due to the expressive synthesis that Leonardo achieved between sitter and landscape it is arguable whether Mona Lisa should be considered as a traditional portrait, for it represents an ideal rather than a real woman. The sense of overall harmony achieved in the painting—especially apparent in the sitter's faint smile—reflects Leonardo's idea of a link connecting humanity and nature.
Mona Lisa has no visible facial hair—including eyebrows and eyelashes. Some researchers claim that it was common at this time for genteel women to pluck them out, since they were considered to be unsightly. For modern viewers the missing eyebrows add to the slightly semi-abstract quality of the face.

mah pleasure buddies.u dnt nd to thank me for ths.

Jai